Our material sourcing focuses on heavy vintage workwear canvas, discarded upholstery weaves, and deadstock industrial cottons. Each weave brings distinct historical density and physical weight to the cutting table.
In the atelier, raw panels are treated with custom obsidian pigments applied by brush or blade. The hand-painted marks fix into the fiber matrix, guaranteeing that no two garments yield identical surface topographies.
Zero mass production. Zero synthetic plastic treatments. We reject organic-beige compromise in favor of uncompromising, architectural circular couture.
Evaluating structural endurance in reclaimed industrial cottons. Decades of wear create dense weave memory, giving patchwork garments structural longevity impossible to replicate with modern virgin fibers.
Formulating non-toxic mineral pigment suspensions for heavy outerwear. Applying mineral oxides directly to unwashed canvas produces permanent matte black brushwork resistant to flex and friction.
Patterning garments around original fabric salvage edges and architectural seam boundaries. Fragmented textile shapes determine garment silhouettes, eliminating post-cutting waste.
Explore one-of-a-kind hand-painted outerwear and raw patchwork garments currently available from the NYC and London ateliers.
